Showing posts with label Michael Kline. Show all posts
Showing posts with label Michael Kline. Show all posts

Monday, June 11, 2012

Fish cakes for breakfast, kiln firing ...

Dee's Mondays off from June to early October often start this way, with breakfast on the deck under the umbrella. This morning, while the kiln was warming up in the studio, it was scrambled eggs and sweet red peppers with ham for her and fish cakes (striped bass) instead of eggs for me. Black coffee in Ron Philbeck's flower mug for her and in Michael Kline's slipped and combed teabowl for me.
Also on the table, a very nice and vinegary jalapeno hot sauce recently brought back from California by our friends Bob Skilton and Jo Ann Muramoto. "Coyote's Howl" is made in Arizona by Southwest Specialty Food (southwestspecialtyfood.com, which looks like a really cool website). This is not a paid endorsement, but the sauce is really good and great with fish cakes.
I've now done one turn-up on the kiln and, if things go as planned, we should be at cone 9.5 around 3 p.m. I'm going to try to keep the temp down a bit on this one. Wish me luck.






 

Monday, March 19, 2012

Genuine handcraft ... Kline and Philbeck






I have always been one to notice hands. I have no idea why. But I could pick out my son, my grandmother, my friend Jim Beckman from elementary school, my friend and pottery teacher Dan Finnegan ... hundreds of people, I think, just by seeing their hands. So when I shoot photos of people at work, somewhere in amongst all the images you will find hands. More so with potters or woodworkers or musicians, all of whom do their work with their hands.
Because Ron Philbeck and Michael Kline transmit the work of their brain to the clay through their hands, they made great subjects for photographs. Michael with big, strong hands and one missing forefinger digit on his right hand. Ron with more slender but no less strong hands from his years of throwing pots. Centering, throwing, pulling up, pulling out, picking off the wheelhead, trimming feet, adding handles, brushing on slip or cutting through it. It all requires hands.
So, here are four images of the two men at work on Sunday at the workshop they presented at Barnstable High School on Cape Cod. Extremely talented and well-spoken men, quick with stories about their lives and jibes at each other, well worth scheduling if you're looking for a traveling roadshow of two very different but equally talented potters. And there is one image here of the hands of Falmouth potter Sarah Caruso, trying her own hand at Ron's sgraffito style.
If you want more photos of them throwing or trimming, let me know and I'll post them.
Photos: Michael Kline showing newly attached handles; Ron Philbeck rabbiting up a yunomi; Michael demonstrating slip-dipping style; Ron knobbing a lid (note the turtle on the splash pan); Sarah Caruso working on a spider tile.

Saturday, March 17, 2012

Big pots, small pots, medium pots ...






Two of North Carolina's finest and most congenial potters came to Cape Cod this weekend, throwing pots and trading stories at the big pottery studio at Barnstable High School in Hyannis. Ron Philbeck and Michael Kline came this way from a gig a few days ago at LibertyTown Arts Worshop, Dan Finnegan's art empire headquarters in Fredericksburg, Va. They did a few hours in F-burg, but we get them for the whole weekend.
It's after midnight here. We had a bit of a potluck party at Gail Turner's after the workshop and I staggered in here just a short while ago. I don't have a great deal of energy right now for writing, so this will be short. Many pots thrown today. They'll get their slipping and decorating Sunday. Also, a lot of people went home with Kline and Philbeck pots. Pretty cool.
Photos: Top, ribbing on a big one, by Michael Kline; Ron Philbeck's concentration on a small jug; both potters at work in front of the workshop folks; potters Kim Medeiros of Pocasset and Peg Andre of Wellfleet, checking out Philbeck's work; a fine selection by Kline.

Wednesday, March 14, 2012

Lotsa bowls in this one ...






I fired yesterday, with 50 small teabowls for Lois Hirshberg's tea ceremony show at the Cotuit Arts Center, and another 25 or so soup bowls for the Cape Cod Potters' Soup Bowls for Hunger event next month. Plus a few tests of glazes on intern Alex Urbina's stuff and some other things.
There were a lot of pots in there, but the firing went off as it usually does, steady climbs and reduction at the right time.
The result was a group of pretty good pots, most made with the rough clay I use that combines Miller 750 with crushed granite and iron sand. We're off to Seattle later this month to see our son and daughter-in-law and for me to go to NCECA. So I wanted to clear out these obligations before going back on the road.
Still building inventory for the summer, also.
This weekend is the Michael Kline/Ron Philbeck workshop at Barnstable High School in Hyannis. I'll be joining a lot of my friends there, including the two visiting North Carolina potters, who have been blogging friends for some time. But I've never met either of them, though I've admired their pots. I'm looking forward to the weekend.
Photos: Cups for the tea ceremony show; a lovely little cup of poured Shinos; Nuka jar and Shino jar; cracked shallow Shino bowl; another shallow Shino bowl with a bit of poured Nuka.